PAINTING

‘Made this Way’, Kate Howe, 2023. 250cm x 220cm, Sutured Belgian Linen and Rabbit Skin Glue. Collection: The Polemics of Pulling, Painting. Installation View.

THE POLEMICS OF PULLING:

‘Five Minutes Ago (again)’

Kate Howe, 2023, 270 x 170 cm, Oil and oil pastel on sutured canvas with stitching on linen. Collection: Polemics of Pulling, Erotics of Power, Painting.

‘Mother bestows suture upon the already quilted soul of child’

Kate Howe, 2023. 250cm x 220cm, Sutured Belgian Linen and Rabbit Skin Glue. Collection: The Polemics of Pulling, Painting.

‘Begetting, begetting, begotten, forgotten bloom’

Kate Howe, 2023. 250cm x 220cm, Sutured Belgian Linen and Rabbit Skin Glue. Collection: The Polemics of Pulling, Painting.

‘Made this Way’

Kate Howe, 2023. 250cm x 220cm, Sutured Belgian Linen and Rabbit Skin Glue. Collection: The Polemics of Pulling, Painting.

which me will survive / all these liberations’ (After a quote by Audre Lord from her poem "who said it was simple"), Kate Howe, 2023, oil on linen board, 20 x 30 cm. Collection: Erotics of Power, Painting. Installation View.

EROTICS OF POWER (ALIEN BABIES):

‘She stretched langoriously, consuming me wholy in one bite.’ (aka the Operatic Hippopotamus)

Kate Howe, 2023, oil and oil pastel on linen board, 13 x 18 cm. Collection: Erotics of Power, Painting.

‘Sometimes a thousand twangling instruments’ (title From The Tempest, by Shakespeare, said by Caliban)

Kate Howe, 2023, oil on linen board, 13 x 18 cm. Collection: Erotics of Power, Painting.

‘unrelenting as the curse of love permanent as my errors’ (From "A woman speaks" by Audre Lorde)

Kate Howe, 2023, oil on linen board, 20 x 30 cm. Collection: Erotics of Power, Painting.

‘Naked as paper to start.’ (title from The Applicant – Sylvia Plath)

Kate Howe, 2023, oil on linen board, 20 x 30 cm. Collection:Erotics of Power, Painting.

‘Just because its good doesn't mean its healthy’

Kate Howe, 2023, oil on linen board, 20 x 30 cm. Collection: Erotics of Power, Painting.

‘I am not one piece of myself’ (From a quote by Audre Lorde)

Kate Howe, 2023, oil on linen board, 13 x 18 cm. Collection: Erotics of Power, Painting.

‘I, being born a woman and distressed’ (title from work of the same name by Edna St. Vincent Millay)

Kate Howe, 2023, oil on linen board, 13 x 18 cm. Collection: Erotics of Power, Painting.

‘QueenBitch_12’

Kate Howe, 2023, oil on linen board, 13 x 18 cm. Collection: Erotics of Power, Painting.

‘The blushing Buddha of Shame and her lover’

Kate Howe, 2023, oil on linen board, 13 x 18 cm. Collection: Erotics of Power, Painting.

‘which me will survive / all these liberations’ (After a quote by Audre Lord from her poem "who said it was simple")

Kate Howe, 2023, oil on linen board, 20 x 30 cm. Collection: Erotics of Power, Painting.

‘Sometimes I think there are a great many women behind, and sometimes only one, and she crawls around fast, and her crawling shakes it all over.’ (title from The yellow wallpaper by Charlotte Perkins Gilman)

Kate Howe, 2023, oil on linen board, 20 x 30 cm. Collection: Erotics of Power, Painting.

‘Unfolded’

Kate Howe, 2023, oil on linen, 5 x 5 cm. Collection: Erotics of Power, Painting.

‘Lick’

Kate Howe, 2023, oil on linen, 5 x 5 cm. Collection: Erotics of Power, Painting.

‘Behind that outside pattern the dim shapes get clearer every day’ (text From The yellow wallpaper by Charlotte Perkins Gilman )

Kate Howe, 2023, oil on linen, 10 x 7 cm. Collection: Erotics of Power, Painting.

‘Now you are a broken seal: A scarlet stain upon the earth.’ (title from Fragement of a poem by Sappho)

Kate Howe, 2023, oil on linen board, 13 x 18 cm. Collection:Erotics of Power, Painting.

‘engage in acts of psychic self-mutilation. kill off the emotional parts, and come with me.’ (title inspired by the writing of ‘Bell Hooks’)

Kate Howe, 2023, oil on linen board, 13 x 18 cm. Collection: Erotics of Power, Painting.

‘But baby, don't get it twisted.’ (title from lyrics by Rihanna)

Kate Howe, 2023, oil on linen board, 13 x 18 cm. Collection: Erotics of Power, Painting.

‘Didn't they tell you that I was a savage?’ (title from lyrics by Rhianna)

Kate Howe, 2023, oil on linen board, 13 x 18 cm. Collection: Erotics of Power, Painting.

‘Suck up’

Kate Howe, 2023, oil on linen board, 20 x 30 cm. Collection: Erotics of Power, Painting.

‘A thousand gates and the shadow of your blue eyes. (Sy)’, Kate Howe, 2021, oil paint, oil paste and rapidograph pencil on canvas, 214 x 214 cm. Collection: Erotics of Power, Painting. Studio Shot.

EROTICS OF POWER:

Hard candy pulls my fillings out and makes my teeth sharp. But I love it.’

Kate Howe, 2021, oil paint and oil pastel on canvas, 120 x 180 cm. Collection: Erotics of Power, Painting.

‘Sticky’

Kate Howe, 2021, oil paint and rapidograph pencil on canvas, 214 x 214 cm.
Collection:
Erotics of Power, Painting.

‘The further you float away the more I’m stuck to you.’

Kate Howe, 2021, oil paint and rapidograph pencil on canvas, 120 x 180 cm. Collection: Erotics of Power, Painting.

‘You can’t just show up.’

Kate Howe, 2021, oil paint, oil pastel and rapidograph pencil on canvas, 214 x 214 cm. Collection: Erotics of Power, Painting.

‘Up through the sieve of life with me. (Mariam)’

Kate Howe, 2021, oil paint, oil pastel and rapidograph pencil on canvas, 214 x 214 cm. Collection: Erotics of Power, Painting.

‘Me and she’ (study for Tuck and Roll, yo)

Kate Howe, 2021, oil paint on canvas, 80 x 80 cm.

Collection: Erotics of Power, Painting.

‘Tuck and roll, yo. (Peter)’

Kate Howe, 2021, oil paint and oil pastel on canvas, 214 x 214 cm.
Collection:
Erotics of Power, Painting.

‘A thousand gates and the shadow of your blue eyes. (Sy)’

Kate Howe, 2021, oil paint, oil paste and rapidograph pencil on canvas, 214 x 214 cm.

. Collection:
Erotics of Power, Painting.

‘An almost perfect lie. (Michael)’

Kate Howe, 2021, oil paint, oil pastel and rapidograph pencil on canvas, 200 x 200 cm. Collection: Erotics of Power, Painting.

‘She owed us so many poems.’

Kate Howe, 2021, oil paint and oil pastel on canvas, 200 x 200 cm. Collection: Erotics of Power, Painting.

‘Chill out, Slow down.’ (After Titian)

Kate Howe, 2021, oil paint and oil pastel on canvas, 200 x 200 cm. Collection: Erotics of Power, Painting.

‘Bacon in my Coffee’

Kate Howe, 2021, oil paint and oil pastel on canvas. 80 x 80 cm. Collection: Erotics of Power, Painting.

‘The injury I must do them, if I like them, I must do privately.’ (After Bacon’s Study of Lucian Freud)

Kate Howe, 2021, oil paint and oil pastel on canvas, 214 x 214 cm. Collection: Erotics of Power, Painting.

‘Ren finds the Mothership’

Kate Howe, 2021, oil paint and oil pastel on canvas, 214 x 214 cm. Collection: Erotics of Power, Painting.

‘Roll with me Baby (Martha)’

Kate Howe, 2022, oil paint and oil pastel on canvas, 120 x 160 cm. Collection: Erotics of Power, Painting.

‘And that shock of knowing, it never left her.’

Kate Howe, 2021, oil paint, oil pastel and rapidograph pencil on canvas, with stitching, trickline and saffron cloth, 244 x 488 cm

. Collection: Erotics of Power, Painting.

‘And do not saw the air with your hands too much, thus. Hmmm?’ (Hamlet to players)

Kate Howe, 2021, installation, oil paint, oil pastel, rapidograph pencil, copper wire, trickline, and stitching on linen, with plastic tarp pieces, dried leaves, logs and festoon lights, painting dimensions: 278 x 488 cm.

Collection: Erotics of Power, Painting.

‘Susanna's Chapel Walk’, Kate Howe, 2022, site-specific installation, oil paint, liquid gold leaf, and stitching on Kraft paper. Collection: Susanna, Installation, Painting. Detail View.

SUSANNA:

‘I felt it brush my forearms as it fell, keeps falling, over and over. The sun, I notice, is very blue, coming through the leaves.’ (After Gentileschi with Memory totemic)

Kate Howe, 2022, installation, oil paint and stitching on Kraft paper in black surround with lights and Memory totemic, variable dimensions. Collection: Susanna, Installation, Painting, Paperwork.


‘Susanna, Even the Oak Betrayed You.’ (After Gentileschi with Divine Totemic)

Kate Howe, 2022, YinMn Blue oil paint and liquid gold leaf on Kraft paper with stitching, prikwork and divine totemic. painting dimensions 670 x 370 cm, Installation view. Hands: Ann Quilter, Ellen Wight, Sadie Wight, Ronan Porter, Mariam Nakiwala, Veronika Benk. Collection: Susanna, Installation, Painting.

‘Before the Bath’ (After Gentileschi)

Kate Howe, 2022, site-specific installation, YinMn Blue oil paint and liquid gold leaf on Kraft paper with prickwork and stitching, variable dimensions, created for the show Omitted References at the Art Pavilion at Mile End, Hands: Noa Pane, Ellen Wight, Isabelle Jolliffe, Sadie Wight, Tom Wight.

Collection: Susanna, Installation, Painting.

‘Susanna, what do they owe you?’

Kate Howe, 2022, YinMn Blue oil paint and liquid gold leaf on Kraft paper with stitching, 680 x 390 cm.

Collection: Susanna, Installation, Painting.

‘Susanna Herself’

Kate Howe, 2022, oil paint and liquid gold leaf on Kraft paper with stitching, 285 x 300 cm.

Collection: Susanna, Installation, Painting.

‘Susanna's Chapel Walk’

Kate Howe, 2022, site-specific installation, oil paint, liquid gold leaf, and stitching on Kraft paper.

Collection: Susanna, Installation, Painting.

‘The First Twenty-Four Hours (Part One)’

Kate Howe, 2024, oil on linen. 160cm x 120cm. Collection: Painting, Susanna.

The First Twenty-Four Hours (Part Two)

Kate Howe, 2024, oil on linen. 160cm x 120cm. Collection: Painting, Susanna.

Untitled #2

Kate Howe, 2024, oil on linen. 160cm x 120cm. Collection: Painting, Susanna.

Untitled #3

Kate Howe, 2024, oil on linen. 160cm x 120cm. Collection: Painting, Susanna.

Untitled #4

Kate Howe, 2024, oil on linen. 160cm x 120cm. Collection: Painting, Susanna.

When I see you fast on the deck, no wave is strong enough to stop me swimming. I leave a wake for the dolphins to jump as I churn forward, but you never grow larger and I never reach you. 2021. Oil and oilstick on canvas, 200 x 200 cm,

‘When I see you fast on the deck, no wave is strong enough to stop me swimming. I leave a wake for the dolphins to jump as I churn forward, but you never grow larger and I never reach you’. Kate Howe, 2021. Oil and oilstick on canvas, 200 x 200 cm.

TURNER:

‘Heavily Mylenated, I went that way again when I was trying to go the other. Will try again tomorrow.’

Kate Howe, 2021, oil paint and oil pastel on canvas, 160 x 200 cm, currently on exhibition at True-house, London.

Collection: Turner, Painting.

‘The ribs of Hephestus, greased with easy grace, are unrequited.’

Kate Howe, 2021, oil paint and oil pastel on canvas, 160 x 200 cm.

Collection: Turner, Painting.

‘I broke into your garden today and wrote you a letter from the bench under your window.’

Kate Howe, 2021, oil paint and oil pastel on canvas, 200 x 200 cm.

Collection: Turner, Painting.

‘If my eyes left grooves in the cleft of your rupture they would look like this.’

Kate Howe, 2021, oil paint and oil pastel on canvas, 160 x 200 cm.

Collection: Turner, Painting.

‘I’m wearing a groove in myself trying to hail, the arms of the ocean won’t stand still long enough for you to see me.’

Kate Howe, 2021, oil paint and oil pastel on canvas, 250 x 214 cm.

Collection: Turner, Painting.

‘When I see you fast on the deck, no wave is strong enough to stop me swimming. I leave a wake for the dolphins to jump as I churn forward, but you never grow larger and I never reach you.

Kate Howe, 2021, oil paint and oil pastel on canvas, 200 x 200 cm.

Collection: Turner, Painting.

‘Now that the tunnel is open, I can find you more easily but the world looks stranger every time I return.’

Kate Howe, 2021, oil paint and oil pastel on canvas, 160 x 200 cm.

Collection: Turner, Painting.

‘When I looked through my lens, there was your eye on the other end, looking through yours.’

Kate Howe, 2021, oil paint and oil pastel on canvas, 200 x 200 cm, currently on exhibition at True-house, London.

Collection: Turner, Painting.

‘Corked.’

Kate Howe, 2021, oil paint and oil pastel on canvas, 214 x 214 cm.

Collection: Turner, Painting.