‘Instructions to the other from the Mother’, Kate Howe, 2023, Site-specific Installation at RuptureXIBIT, waxed kraft paper, lights, wire, bin bags. Detail shot. Photo: Olivia England. Detail view.
"Patience and Time." 2024. Waxed Kraft paper, aluminum and lights. Variable dimensions. Site-specific installation at RuptureXIBIT, London. Installation View.
‘Because I Can Forget,’ Kate Howe, 2025. Waxed Kraft Paper, stitching, lights, sumi ink painting after Rubens direct on the wall. 6.6 x 2.2 m. Installation View
‘The Templum’ ‘The Templum’, Kate Howe, 2024. Site-specific installation at Orleans House Gallery. Sound by Nick Parkin. Aluminium armature wire, industrial waxed kraft paper, lighting. Divine Totemic ‘Eiko not Sada’ altar and offerings. Hands: Olivia England, Sally Minns, Ella Deregowska, Tom Wight, Dave Harris, Paul Fahy, Sarah Anderson, Raj Sharma, Fadwa Dajani, Sadie Wight, Stephanie Harris, Nick Smith. Marie-Gabrielle Rotie and Yumino Seki perform Butoh in the Templum. Saturday 14th September 2024. Photo: Olivia England.
‘I felt it brush my forearms as it fell, keeps falling, over and over. The sun, I notice, is very blue, coming through the leaves. (After Gentileschi with Memory totemic)’, Kate Howe, 2022, installation, oil paint and stitching on Kraft paper in black surround with lights and Memory totemic, variable dimensions. Installation view.
‘Instructions to the other from the Mother’, Kate Howe, 2023, Site-specific Installation at RuptureXIBIT, waxed kraft paper, lights, wire, bin bags. Detail shot. Photo: Olivia England. Installation view.
‘The Templum’ ‘The Templum’, Kate Howe, 2024. Site-specific installation at Orleans House Gallery. Sound by Nick Parkin. Aluminium armature wire, industrial waxed kraft paper, lighting. Divine Totemic ‘Eiko not Sada’ altar and offerings. Hands: Olivia England, Sally Minns, Ella Deregowska, Tom Wight, Dave Harris, Paul Fahy, Sarah Anderson, Raj Sharma, Fadwa Dajani, Sadie Wight, Stephanie Harris, Nick Smith. Photo: Olivia England. Detail view.
‘The Templum’ ‘The Templum’, Kate Howe, 2024. Site-specific installation at Orleans House Gallery. Sound by Nick Parkin. Aluminium armature wire, industrial waxed kraft paper, lighting. Divine Totemic ‘Eiko not Sada’ altar and offerings. Hands: Olivia England, Sally Minns, Ella Deregowska, Tom Wight, Dave Harris, Paul Fahy, Sarah Anderson, Raj Sharma, Fadwa Dajani, Sadie Wight, Stephanie Harris, Nick Smith. Nick Parkin performs live soundscape, Saturday 7th September 2024. Photo: Olivia England. Detail view.
‘The Templum’, Kate Howe, 2024. Site-specific installation at Orleans House Gallery. Sound by Nick Parkin. Aluminium armature wire, industrial waxed kraft paper, lighting. Divine Totemic ‘Eiko not Sada’ altar and offerings. Hands: Olivia England, Sally Minns, Ella Deregowska, Tom Wight, Dave Harris, Paul Fahy, Sarah Anderson, Raj Sharma, Fadwa Dajani, Sadie Wight, Stephanie Harris, Nick Smith. WIP Shot, Left to Right: Ella Deregowska, Sally Minns, Kate Howe. Photo: Olivia England. Detail view.
‘The Templum’, Kate Howe, 2024. Site-specific installation at Orleans House Gallery. Sound by Nick Parkin. Aluminium armature wire, industrial waxed kraft paper, lighting. Divine Totemic ‘Eiko not Sada’ altar and offerings. Hands: Olivia England, Sally Minns, Ella Deregowska, Tom Wight, Dave Harris, Paul Fahy, Sarah Anderson, Raj Sharma, Fadwa Dajani, Sadie Wight, Stephanie Harris, Nick Smith. Photo: Olivia England. Detail view.
‘The First Twenty-Four Hours (Part Two)’, Kate Howe, 2024, oil on linen. 160cm x 120cm. Detail View.
Untitled #4, Kate Howe, 2023, Graphite on Belgian Linen. Detail View.
'Served Up' Kate Howe, 2024, oil on board, 244cm x 244cm. Detail view.
‘Shoot the Gap.’, Kate Howe, 2024, oil on linen. 214cm x 214cm. Detail view.
"Patience and Time." 2024. Waxed Kraft paper, aluminum and lights. Variable dimensions. Site-specific installation at RuptureXIBIT, London. Installation View.
‘Embrace of the Subaltern’, Kate Howe 2024. 214 x 250 cm oil on sutured linen. Detail View.