"Patience and Time." 2024. Waxed Kraft paper, aluminum and lights. Variable dimensions. Site-specific installation at RuptureXIBIT, London. Installation View.

Kate Howe, 2024, Oil on sutured linen, 120 x 160cm.

‘The First Twenty-Four Hours (Part Two)’, Kate Howe, 2024, oil on linen. 160cm x 120cm. Installation View.

‘The Templum’ ‘The Templum’, Kate Howe, 2024. Site-specific installation at Orleans House Gallery. Sound by Nick Parkin. Aluminium armature wire, industrial waxed kraft paper, lighting. Divine Totemic ‘Eiko not Sada’ altar and offerings. Hands: Olivia England, Sally Minns, Ella Deregowska, Tom Wight, Dave Harris, Paul Fahy, Sarah Anderson, Raj Sharma, Fadwa Dajani, Sadie Wight, Stephanie Harris, Nick Smith. Marie-Gabrielle Rotie and Yumino Seki perform Butoh in the Templum. Saturday 14th September 2024. Photo: Olivia England.

‘The Templum’ ‘The Templum’, Kate Howe, 2024. Site-specific installation at Orleans House Gallery. Sound by Nick Parkin. Aluminium armature wire, industrial waxed kraft paper, lighting. Divine Totemic ‘Eiko not Sada’ altar and offerings. Hands: Olivia England, Sally Minns, Ella Deregowska, Tom Wight, Dave Harris, Paul Fahy, Sarah Anderson, Raj Sharma, Fadwa Dajani, Sadie Wight, Stephanie Harris, Nick Smith. Photo: Olivia England.

‘The Templum’ ‘The Templum’, Kate Howe, 2024. Site-specific installation at Orleans House Gallery. Sound by Nick Parkin. Aluminium armature wire, industrial waxed kraft paper, lighting. Divine Totemic ‘Eiko not Sada’ altar and offerings. Hands: Olivia England, Sally Minns, Ella Deregowska, Tom Wight, Dave Harris, Paul Fahy, Sarah Anderson, Raj Sharma, Fadwa Dajani, Sadie Wight, Stephanie Harris, Nick Smith. Nick Parkin performs live soundscape, Saturday 7th September 2024. Photo: Olivia England.

‘The Templum’, Kate Howe, 2024. Site-specific installation at Orleans House Gallery. Sound by Nick Parkin. Aluminium armature wire, industrial waxed kraft paper, lighting. Divine Totemic ‘Eiko not Sada’ altar and offerings. Hands: Olivia England, Sally Minns, Ella Deregowska, Tom Wight, Dave Harris, Paul Fahy, Sarah Anderson, Raj Sharma, Fadwa Dajani, Sadie Wight, Stephanie Harris, Nick Smith. Photo: Olivia England.

‘The Templum’, Kate Howe, 2024. Site-specific installation at Orleans House Gallery. Sound by Nick Parkin. Aluminium armature wire, industrial waxed kraft paper, lighting. Divine Totemic ‘Eiko not Sada’ altar and offerings. Hands: Olivia England, Sally Minns, Ella Deregowska, Tom Wight, Dave Harris, Paul Fahy, Sarah Anderson, Raj Sharma, Fadwa Dajani, Sadie Wight, Stephanie Harris, Nick Smith. WIP Shot, Left to Right: Ella Deregowska, Sally Minns, Kate Howe. Photo: Olivia England.

‘The Templum’, Kate Howe, 2024. Site-specific installation at Orleans House Gallery. Sound by Nick Parkin. Aluminium armature wire, industrial waxed kraft paper, lighting. Divine Totemic ‘Eiko not Sada’ altar and offerings. Hands: Olivia England, Sally Minns, Ella Deregowska, Tom Wight, Dave Harris, Paul Fahy, Sarah Anderson, Raj Sharma, Fadwa Dajani, Sadie Wight, Stephanie Harris, Nick Smith. Photo: Olivia England.

The Templum, Kate Howe and Jessica Mardon. 2023, kraft paper, stitching, gold leaf, dust from the cave of the Oracle at Delphi, 15 minute immersive sound piece, 15 minutes of silence. Site for silent hours, readings, performances, discussions, talks and transformations. Variable dimensions, site-specific installation for the Wild Parlour: Alternative Airport at RuptureXIBIT, London. Detail shot.

‘Instructions to the other from the Mother’, Kate Howe, 2023, Site-specific Installation at RuptureXIBIT, waxed kraft paper, lights, wire, bin bags. Detail shot. Photo: Olivia England.

Untitled #4, Kate Howe, 2023, Graphite on Belgian Linen. Installation View.

'Served Up' Kate Howe, 2024, oil on board, 244cm x 244cm.

‘Shoot the Gap.’, Kate Howe, 2024, oil on linen. 214cm x 214cm.

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