'The First Twenty-Four Hours (Part One)’ , Kate Howe, 2024, Installation View.
‘The First Twenty-Four Hours (Part One)’
Kate Howe, 2024, oil on board. 160cm x 120cm.
This work is a direct response to writing Howe’s current research proposal.
“So something really special has happened: I'm now looking straight at these memories with curiosity, like a detective. I knew as I approached the subject of collecting rape in art, and as I sat in front of exquisite images of rape in the National Gallery, that there was a lifetime of work to do here because my experience is not unique. Stories of rape pervade society and always have: they are instructional, and they help the genders understand their social positions, and the dangers inherent to those positions...”
- Excerpts from Kate Howe’s writing. Read more here.
'The First Twenty-Four Hours (Part One)’ , Kate Howe, 2024, Studio View. 1
'The First Twenty-Four Hours (Part One)’ , Kate Howe, 2024, Detail View 1.
'The First Twenty-Four Hours (Part One)’ , Kate Howe, 2024, Detail View 2.
'The First Twenty-Four Hours (Part One)’ , Kate Howe, 2024, Detail View 3.
'The First Twenty-Four Hours (Part One)’ , Kate Howe, 2024, Detail View 4.
'The First Twenty-Four Hours (Part One)’ , Kate Howe, 2024, Detail View 5.
'The First Twenty-Four Hours (Part One)’ , Kate Howe, 2024, Installation View 1.
'The First Twenty-Four Hours (Part One)’ , Kate Howe, 2024, Studio View 2.
'The First Twenty-Four Hours (Part One)’ , Kate Howe, 2024, Detail View 6.
'The First Twenty-Four Hours (Part One)’ , Kate Howe, 2024, Detail View 7.
'The First Twenty-Four Hours (Part One)’ , Kate Howe, 2024, Detail View 8.